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Discover

Explore my art practice through my latest projects and upcoming endeavors.

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Cedar's Events 2026:

Emergence: Exhibition of paintings and AV work at Woolloongabba Art Gallery 28 Sep - 3 Oct

Closing event 2nd October 6 - 8 pm

Fecund Deposition: Live butoh performance and video art screening. Space Saraswati, 18th October 6pm  (doors 5.30pm)

Drawing for life; Butoh as alchemy:  Facilitating life drawing through the lens the transformative 'Fool's journey', with butoh dancer as model and butoh performance from Cedar at  HOTA gallery, Surfer Paradise. 

19th Nov 6 - 8pm

Deliquescence: Solo exhibition at Red Gallery, Melbourne, 25 Nov - 6 Dec

Opening event 6th December 

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Emergence

Solo Exhibition

29 Sep - 3rd Oct 2026

Woolloongabba Art Gallery, Brisabne

Closing event: 2nd Oct, 6 - 8pm

 

Emergence is an exhibition of paintings and multimedia works by Cedar Roppola, presented alongside Painting and Drawings by Jared N. Fountain.

For this exhibition I’m presenting a collection of works exploring relationships between the body, place and timelessness.

My work begins through intuitive, embodied responses to place — allowing sensations, feelings, images and movement to emerge. I am interested in what emerges when transient forms — a moving body, flowing water, a changing landscape — reveal something timeless.

The work draws on mythic and post-human ecological ways of thinking, though ultimately comes back to the experience of being a body in a place, doing some Butoh in the bush and making art about it.

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Live Butoh Performance and Screening

18th Oct 2026

At Space Saraswati, Brisbane

Cedar will be presenting a double show, featuring a series of short audiovisual works, Deliquescence, created over the past two years, alongside the live performance Fecund Deposition. The audiovisual works in Deliquescence are derived from an embodied response to place — practising Butoh with bodies of water. The works explore the tension between the transient and the timeless: bodies, water and landscapes continually changing, yet somehow holding a sense of something enduring. Through Butoh, Cedar responds to place intuitively, allowing movement, sensation and image to emerge. Fecund Deposition takes these ideas into live performance, exploring the fertile space between movement, matter and transformation.

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Performance: Beyond the unbearable light of day

Beyond the unbearable light of day was performed at KEPK, Brisbane, May 2025. On opening if the Dualist Engine group exhibition. The sound design was by collaborator Orthotyp_a. This is an excerpt from the 20 minute piece. 

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Paintings

Much of my work is created in dialogue with landscape, shaped through a responsive movement practice developed over a decade of Butoh training and performance. I work by listening deeply to the body in relationship with the environment — a dynamic space shaped by personal and communal histories of violence, grief, power, surrender, growth, and repair. I draw on mythologies (both imagined and rooted in tradition) to explore these ideas. Finnish myths like the story of Aino from The Kalevala offer powerful narratives of refusal and transformation. Reading them through a queer, post-human lens inspires me to engage more deeply — through place, body, and dialogue with tradition and culture of my ancestry. 

Paintings are derived from both documentation of performance in place as well as the embodied experiences and 'images' that arose within the body.

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AV works

My work is process-driven and rooted in embodied practice, particularly through the influence of Butoh dance. This practice responds to the environment and place while non-consciously unpacking personal histories stored in the body. In these moments, personal experiences of violence collide with the environmental, creating a deeply layered dialogue. I created a series of "private performances with the earth," capturing these through video recordings that are heavily layered, altered, and collaged with sound. This recent body of work explores ecofeminism, examining power structures, patriarchal capitalism, and the connections between ecological and gendered violence. It reflects on surviving domestic and sexual violence, as well as the processes of renewal and reclaiming a sense of self, while positioning the body within a larger context of the landscape and natural forces. Personal mythology plays a central role in my work, evolving alongside references to Finnish mythology from my ancestry, which resonate with these struggles. Historical echoes of gendered violence, such as the witch burnings, also inform the themes I explore, creating a dialogue between the past and the present. 

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Carboniferous Erasure: Drawing series

This drawing is from a series of work driven by a deep concern for existential threat of mass extinction, particularly focusing on the decline of insects within the ecosystem. Curiously approaching the interplay between the industrial capitalist system and the intrinsic power of insects as the biological foundation for all terrestrial ecosystems. I tend to view things in mythological proportions and as currents of energy. I imagine a epic battle between monumental systems, an "Electric God" and an "Insect God”. However, the saga is grounded in reality. About 300 million years ago the carboniferous period which is well known for its dense swampy forests which became most of the coal we use today, was also inhabited by giant insects. Today, insect populations are declining rapidly, 8 times faster than any other fauna, and could be gone within the century. Which puts all life at risk. One of the leading causes of this is climate change. I imagine the spirits of ancient giant insects are being released with emissions from fossil fuels return as a warning and a challenge, reminding us of their tiny decedents decline today, 40% of which are threatened species. The insects I draw are threatened, endangered or recently extinct species. Giant in scale and juxtaposed with local electrical substations.

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